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最終更新日：2024年4月22日
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最終更新日：2024年4月22日
授業計画や教室は変更となる可能性があるため、必ずUTASで最新の情報を確認して下さい。
UTASにアクセスできない方は、担当教員または部局教務へお問い合わせ下さい。
Information, Technology, and Society in Asia 311
Media Ethnography: Filmmaking for Fieldwork
This course maps the growing field of visual and media ethnography focusing on theoretical and practical aspects related to photography and film in scientific research. The course seeks to understand and present academic research about social life and human culture in the globalized worlds using a combination of scientific research methods and artistic cinematography. Students will carry out "mini-fieldwork” in everyday life context and record audio-visual data using a camera and microphone during the course. After the fieldwork, sessions of screenings of rushes will be held where students will view each other’s work for open discussions. The recorded materials are then will be edited by the students into a conceptual narrative that emerges from the process of filmmaking in the specific context of the fieldwork. At the end of this course, the students should be able to produce ethnographic/transcultural documentary films by utilizing their own fieldwork audio-visual data. By arranging films screening, the course also provides theoretical and practical knowledge to analyze the basis of film form, montage, and editing processes.
時間割／共通科目コード
コース名
教員
学期
時限
4973110
GII-IA6311L3
Information, Technology, and Society in Asia 311
Dipesh KHAREL
木曜4限
マイリストに追加
マイリストから削除
講義使用言語
英語
単位
2
実務経験のある教員による授業科目
NO
他学部履修
可
開講所属
学際情報学府
授業計画
On the 4th period (14:55- 16:40) every Thursday
授業の方法
Class seasons will include lectures, ethnographic/transcultural and documentary films screenings, discussions, camera and editing workshops and mini-fieldwork.
成績評価方法
The final grade will be based on the following requirement.
•Attendance- 10%
•Class participation- 10%
•Mini- fieldwork - 15%
•Mini- fieldwork report- 15%
•Final film - 50%
教科書
Barbash, I. & Taylor, L. 1997. Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. University of California Press.
MacDougall, David. 1998. Transcultural Cinema. Princeton: Princeton University Press.
参考書
Asch, Tim. 1992. “The Ethics of Ethnographic Film-Making.” In Peter Ian Crawford and David Turton, eds. Film as Ethnography. (Manchester: Manchester U. Press.
Brigard, Emilie 1975. “The history of ethnographic film.” In Paul Hockings, ed. Principles of Visual Anthropology. Berlin: Mouton de Gruyter.
Crawford, Peter Ian. 1992. “Film as discourse: the invention of anthropological realities” in Film as Ethnography. Edited by Crawford, Peter Ian and Turton, David. Manchester: Manchester University Press. Grimmshaw, A. 2001. “The Innocent Eye: Flaherty, Malinowski and the Romantic Quest.” In The ethnographer’s eye: ways of seeing in anthropology. Pp. 44-56. Cambridge: CUP.
Harper, Douglas 2012. “Visual Ethnography.” In Harper, Douglas Visual Sociology. Routledge. London (8-18) ISBN 978-0-415-77896-1
Henley, Paul. 2007. “Seeing, hearing, feeling: sound and the despotism of the eye in ‘visual’ anthropology.” In Peter Biella and Colette Piault, eds., Visual Anthropology in Europe. Special edition of Visual Anthropology Review 23 (1): 54-63.
Henley, Paul. 2004. “Putting film to work: observational cinema as practical ethnography.” In Sarah Pink, Laszlo Kurti and Ana Isabel Afonso, eds., Working Images: methods and media in ethnographic research, pp.109-130. Routledge.
MacDougall, D. 1998. “Introduction.” In Transcultural Cinema. Princeton University Press, Princeton, New Jersey. ISBN 0-691-01234-2 19 p.
MacDougall, David 2006. The Corporeal Image: Film, Ethnography and the Senses. Princeton: Princeton U. Press. Chapter 4. “Social Aesthetics and the Doon School” Chapter 5. “The Doon School Reconsidered.” Marcus Banks. 2007. “Visual methods and field research” In Using Visual Data in Qualitative Research. SAGE Publication Ltd.
Marks, Dan. 1995. “Ethnography and Ethnographic Film: From Flaherty to Asch and After.” American Anthropologist 97 (2).
Young, Colin. 1975. “Observational Cinema” in Paul Hockings, ed. Principles of Visual Anthropology. (Berlin: Walter de Gruyter & Co.).
履修上の注意
NA
その他
Ethnographic Film Screenings/ Reference:
Forest of Bliss by Robert Gardner (1986), 90 min
Playing with Nan by Dipesh Kharel & Asami Saito (2012), 88 min.
Photo Wallahs by David Macdougall (1991), 60 min.
Chronicle of a Summer by Jean Rouch & Edgar Morin (1961), 85 min.
Into the Field by Alyssa Grossman (2006), 28 min.
Through Chinese Women Eyes by Mayfair Yang (1997), 52 min.
Our Countryard, Bai people of South West China by Frode Storaas & He Yuan Wang (2006)
Playing Between Elephants by Aryo Danusiri, 89 min.
Learning to Become a Muslim by Mari Bjornsdatter Knusen (2003), 27 min.
Celso and Cora by Gary Kildea (1983), 109 min
The Wedding Camels by David MacDougall and Judith MacDougall (1978), 108 min.
The Hunters by John Marshall (1958).
Children of the Amazon by Denise Zmekhol (2011), 73 min.
Kites by Beata Dziananowicz (2007), 80 min
Three Beautiful Women by Margarita Poseck & Eugenia Poseck (2011), 53 min.
The Copper Village by Dipesh Kharel & Frode Storaas (2014), 90 min.
A Kali Temple Inside Out by Dipesh Kharel & Frode Storaas (2018), 83 min.
