Information, Technology, and Society in Asia 311

／Schedule (9/26/2019 &10/3/2019): Introduction to Visual Ethnography and Ethnographic Film (10/10/2019): Visual Ethnographic Fieldwork 10/10/2019, 10/17/2019: Camera as an Ethnographic Research Tool (Workshop) • How to move with the camera • Framing and positioning the camera in fieldwork. • Sound recording in ethnographic fieldwork • Narrative approach in shooting a technical process • Establishing shots, cutaways, wild-tracks 10/24/2019: “Mini fieldwork”- Fieldwork with a Video Camera 10/31/2019, 11/14/2019, 11/28/2019: Screening of Rushes and Discussion 12/5/2019: Editing Ethnographic Film 12/12/2019: Editing Workshop 1 • Editing system • Ethnographic audio-visual data and editing • Logging ethnographic data in editing system • Discussion of logging and paper edits 12/19/2019: Editing Workshop 2 • Audio- visual editing • Sound editing in ethnographic documentary film • Students rough cut process exercise • Structuring the film with theoretical frameworks • Basic color correction, sound mixing and exporting • Draft film and preview screening 12/26/2019, 1/9/2020, 1/16/2010: Editing Workshop 3 • Transcribing and subtitling • Subtitling in ethnographic documentary film • Post production 1/23/2020: Final Film Screenings

Lectures, ethnographic and documentary films screenings, discussions, camera and editing workshops and mini-fieldwork.

Attendance- 10%, Class participation- 10%, fieldwork- 15%, film project proposal- 15%, Final ethnographic film- 50%

Barbash, I. & Taylor, L. 1997. Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos.University of California Press. ISBN 0-520-08760-7 60 p.

Asch, Tim. 1992. “The Ethics of Ethnographic Film-Making.” In Peter Ian Crawford and David Turton, eds. Film as Ethnography. (Manchester: Manchester U. Press. Brigard, Emilie 1975. “The history of ethnographic film.” In Paul Hockings, ed. Principles of Visual Anthropology. Berlin: Mouton de Gruyter. Crawford, Peter Ian. 1992. “Film as discourse: the invention of anthropological realities” in Film as Ethnography. Edited by Crawford, Peter Ian and Turton, David. Manchester: Manchester University Press. Grimmshaw, A. 2001. “The Innocent Eye: Flaherty, Malinowski and the Romantic Quest.” In The ethnographer’s eye: ways of seeing in anthropology. Pp. 44-56. Cambridge: CUP. Harper, Douglas 2012. “Visual Ethnography.” In Harper, Douglas Visual Sociology. Routledge. London (8-18) ISBN 978-0-415-77896-1 Henley, Paul. 2007. “Seeing, hearing, feeling: sound and the despotism of the eye in ‘visual’ anthropology.” In Peter Biella and Colette Piault, eds., Visual Anthropology in Europe. Special edition of Visual Anthropology Review 23 (1): 54-63. Henley, Paul. 2004. “Putting film to work: observational cinema as practical ethnography.” In Sarah Pink, Laszlo Kurti and Ana Isabel Afonso, eds., Working Images: methods and media in ethnographic research, pp.109-130. Routledge. MacDougall, D. 1998. “Introduction.” In Transcultural Cinema. Princeton University Press, Princeton, New Jersey. ISBN 0-691-01234-2 19 p. MacDougall, David 2006. The Corporeal Image: Film, Ethnography and the Senses. Princeton: Princeton U. Press. Chapter 4. “Social Aesthetics and the Doon School” Chapter 5. “The Doon School Reconsidered.” Marcus Banks. 2007. “Visual methods and field research” In Using Visual Data in Qualitative Research. SAGE Publication Ltd. Marks, Dan. 1995. “Ethnography and Ethnographic Film: From Flaherty to Asch and After.” American Anthropologist 97 (2). Young, Colin. 1975. “Observational Cinema” in Paul Hockings, ed. Principles of Visual Anthropology. (Berlin: Walter de Gruyter & Co.).

None