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イメージ分析論I
Japanese Cinema in the Sixties
Throughout this semester, we will examine the main aesthetic, epistemological, and—though to a lesser extent—industrial issues that shape Japanese cinema of the 1960s. The hypotheses put forward here are based primarily on close analysis of the films, considered in relation to their context. We will move from avant-garde films to more conventional ones, from peripheral works to those regarded as central to the period. The filmmakers studied will include Hani Susumu, Ichikawa Kon, Matsumoto Toshio, Teshigahara Hiroshi, Yoshida Kijû, Oshima Nagisa, Imamura Shohei, among others.
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