マルチメディア解析II

Throughout this semester, we will examine the main aesthetic, epistemological, and—though to a lesser extent—industrial issues that shape Japanese cinema of the 1960s. The hypotheses put forward here are based primarily on close analysis of the films, considered in relation to their context. We will move from avant-garde films to more conventional ones, from peripheral works to those regarded as central to the period.

As a complement to the previous two semesters, this seminar will be devoted to the analysis of twelve Japanese films (one per week) released between 1960 and 1969 :

・『女が階段を上がるとき When A Woman Ascends The Stairs』成瀬巳喜男、１９６０。
・『不良初年Bad Boys』、羽仁進、１９６１。
・『ニッポン無責任時代 Japan’s Irresponsible Era』、古澤 憲吾、１９６２。
・『江分利満氏の優雅な生活 The Elegant Life Of Mr. Everyman』岡本喜八、１９６３。
・『執炎The Flame of Devotion』蔵原惟繕、１９６４。
・『刺青一代 A Tatooed Life』、鈴木清純、１９６５。
・『とべない沈黙Silence Has No Wings』、黒木和夫、１９６６。
・『８９３愚連隊Yakuza (893) Gurentai』、中島貞夫、１９６６。
・『圧殺の森The Oppressed Students』小川伸介、１９６７。
・『神々の深き欲望The Profound Desire of The Gods』、今村昌平、 １９６８。
・『太陽の王子 ホルスの大冒険　The Great Adventure of Horus, Prince of the Sun』、高畑功、１９６８。
・『心中天網島 Double suicide in Amijima』篠田正弘、１９６９。